12 x 18 inch Canson Baryta Prestige print
Edition of 5 (+1 AP) (1 framed, 2 unframed available)
$1,500 framed, $1,200 unframed
Artist Statement:
This print is part of A Minaret for the General’s Wife, an installation that was on view in the artist’s recent solo exhibition at Mercer Union. The project revolves around the story of the Kėdainiai Minaret, an architectural folly located in a small town in Lithuania. In A Minaret for the General’s Wife, the minaret is taken up as a metaphor for the experience of being corporeally out of place, for structures built in locations where they seemingly don’t belong, and for objects brought out of context—in other words; displacement, appropriation, and extractivism. The installation comprises photographs, archival documents, replicas of artefacts, audiovisual material, a curious selection of objects and a book of 12 vignettes from undisclosed origins, all assembled in a web of relational and spatial collage that suggests reconfigurable performative possibilities.
Biography:
Erdem Taşdelen is a visual artist currently based in Tkaronto/Toronto. His diverse projects bring structures of power into question within the context of culturally learned behaviours, where he often draws from unique historical narratives to address the complexities of current socio-political matters. His work has been shown in numerous exhibitions internationally and across Canada, most recently at venues including Mercer Union, Toronto; Oakville Galleries, Oakville (2021); Blackwood Gallery, Mississauga; AKA artist-run, Saskatoon (2020); Contemporary Art Gallery, Vancouver; Museum für Gegenwartskunst Siegen (2019); VOX Centre de l’image contemporaine, Montreal (2018); Pera Museum, Istanbul (2017); Museum für Neue Kunst, Freiburg (2016). Taşdelen has been awarded the Joseph S. Stauffer Prize in Visual Arts by the Canada Council for the Arts (2016), the Charles Pachter Prize for Emerging Artists by the Hnatyshyn Foundation (2014), and was long-listed for the Sobey Art Award in 2019.
Reflections on Transparency
Benjamin de Boer and Sophia Oppel
TPW is delighted to present a new commission by Benjamin de Boer and Sophia Oppel.
Reflections on Transparency is an examination of the transparent barriers that have become ubiquitous in sites of retail in light of COVID-19. Born of an interest in hostile architecture, public space and landscapes that elicit particular behaviours, this investigation meditates on the intersections between the politics of hygiene and disaster capitalism.
Benjamin and Sophia’s project will be posted on TPW’s Instagram from October 8 – 10, 2020.
Biographies
Benjamin de Boer (b. 1995, Attawandaron, ON) is a writer, researcher, and bookseller living in Tkaronto. They received their Honours BA in Philosophy and Archaeology from the University of Toronto in 2018. Benjamin can be found studying the melancholy poetics of our earth lyric and exploring their openness to improvisation within a practice of group enunciation. Favouring sympedagogic situations, Benjamin currently co-directs Hearth, an arts space founded alongside Rowan Lynch, Sameen Mahboubi, and Philip Leonard Ocampo.
Sophia Oppel (b. 1995) is an arts practitioner and researcher born and based in Tkaronto. Oppel’s work examines interfaces and infrastructures as sites of power, and their influences on embodied experience. Oppel received her BFA from OCAD University and is currently a co-director of Bunker 2 Gallery, and a Master of Visual Studies candidate at the University of Toronto. Oppel has exhibited locally and internationally.
Reflections on Transparency is presented in the context of MOVEMENTS. As its title suggests, this online and site-specific program presents several projects by artists whose work references diverse definitions, experiences and enactments of movements. Bringing together a range of practices, MOVEMENTS reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
MOVEMENTS is made possible with support from Partners in Art
Image Credit
Photographs from Benjamin de Boer and Sophia Oppel
Reflections on Transparency
Benjamin de Boer and Sophia Oppel
TPW is delighted to present a new commission by Benjamin de Boer and Sophia Oppel.
Reflections on Transparency is an examination of the transparent barriers that have become ubiquitous in sites of retail in light of COVID-19. Born of an interest in hostile architecture, public space and landscapes that elicit particular behaviours, this investigation meditates on the intersections between the politics of hygiene and disaster capitalism.
Benjamin and Sophia’s project will be posted on TPW’s Instagram from October 8 – 10, 2020.
Biographies
Benjamin de Boer (b. 1995, Attawandaron, ON) is a writer, researcher, and bookseller living in Tkaronto. They received their Honours BA in Philosophy and Archaeology from the University of Toronto in 2018. Benjamin can be found studying the melancholy poetics of our earth lyric and exploring their openness to improvisation within a practice of group enunciation. Favouring sympedagogic situations, Benjamin currently co-directs Hearth, an arts space founded alongside Rowan Lynch, Sameen Mahboubi, and Philip Leonard Ocampo.
Sophia Oppel (b. 1995) is an arts practitioner and researcher born and based in Tkaronto. Oppel’s work examines interfaces and infrastructures as sites of power, and their influences on embodied experience. Oppel received her BFA from OCAD University and is currently a co-director of Bunker 2 Gallery, and a Master of Visual Studies candidate at the University of Toronto. Oppel has exhibited locally and internationally.
Reflections on Transparency is presented in the context of MOVEMENTS. As its title suggests, this online and site-specific program presents several projects by artists whose work references diverse definitions, experiences and enactments of movements. Bringing together a range of practices, MOVEMENTS reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
MOVEMENTS is made possible with support from Partners in Art
Image Credit
Photographs from Benjamin de Boer and Sophia Oppel